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Todas las subastas / Arte contemporáneo / Stefano De Carli (1963) «Il corpo della materia» (Ciclo...


OTE TO COLLECTORS / COLLECTORS' NOTE: A careful, attentive viewing of the entire attached photographic set is recommended, to be considered an integral part of this philological description. Every detail, every color nuance, and every sign of time on the material tells a millennial story that words cannot exhaust. (English translation for international bidders): International collectors are kindly invited to carefully examine all the attached photographs, which are an integral part of this description. Every macro detail, texture, and historical imprint tells a deep story that words alone cannot fully explain. STEFANO DE CARLI | CONCEPTUAL MASTERPIECE AND ARCHAEOLOGICAL AFFECTION New Conceptual Path: "RIEMERSI" "The Body of Matter" A fragment of millennial history that re-emerges from oblivion and transforms into pure three-dimensional avant-garde. "Il corpo della materia" (2026) is not simply a sculpture; it is a metaphysical altar where Italian monumental archaeology blends with the brutal, minimalist tension of contemporary matter. The fourth fundamental chapter of the celebrated cycle «Riemersi», the work marks the apex of the polymaterial maturity of Master Stefano De Carli, celebrating a bold and total conquest of expressive independence. The dramatic and conceptual fulcrum of the installation lies in the inclusion of authentic original historic bricks from the Campanile of San Marco in Venice, dating to the traumatic collapse of July 14, 1902. These centuries-old clay blocks, baked by time and returned by the tides on the Lido shoreline after having rested on the seabed for over a century, carry in their saline, leaden grain the collective memory of a nation. The artist extracts these historical bodies from the darkness of the past and suspends them in a perfect center-of-gravity balance that defies gravity, fixing them with precisely milled brass pins and tension joints, symbols of the scaffolding of reconstruction. The historic bricks dialogue powerfully with an imposing perforated block of porous volcanic tuff, a magma-like, archaic material worked by natural crack, serving as an ancestral counterweight. The piece’s deep poetic sensibility roots itself in the dynastic memories of the Master, tying indissolubly to Villa Jolanda — the Liberty-era family residence of 1931 at the Lido of Venice, where the artist lived with his parents Alessandro De Carli and Teresa Ida Molinari, breathing the cradle of Venetian avant-gardes of the postwar period. The radical juxtaposition between the sponginess of the tuff, the drama of time etched in the ancient brick, and the golden gleam of metals creates a unique tonal and structural contrast. The project sits within Ca' Foscari University of Venice and the Italian Ministry of Culture’s scientific Public History and Archaeology program as part of the cultural project 'El Paron de Casa'. The November 7, 2021 session (Slot 11:50 / 12:10) saw approval of the investigative protocol for the ad hoc site visit. ORIGIN AND EXTRAORDINARY INSTITUTIONAL PROTECTION: The artistic core of this work includes authentic historic bricks originally from the collapse of the Campanile of San Marco in Venice (July 14, 1902), resurfaced from the Lido shoreline after rising from the sea beds. The work is delivered with an exceptional archival dossier on 3 sheets signed and sealed by the artist (Certificate with biological fingerprint + field expert photos + photo expert (Author's photos with the work) color technical plate of the finished installation) Official Archiving Certificate Gigarte (National Archive Code). All historical and administrative documentation is provided in a certified copy in a sealed paper folder together with the work. The provenance and legitimacy of the materials are fully transparent, documented by the spontaneous declaration transmitted to the Mayor of Venice Luigi Brugnaro and certified in accordance with the LIST OF DECREES OF THE HUMANITIES COUNCIL OF MAY 12, 2021 of Ca' Foscari University of Venice (Official Public History and Public Archaeology Project «El Paron de Casa»). The full compliance with free possession is further sanctioned by the ministerial and academic scientific protocol, which has formalized exemption from ordinary reporting obligations and lawfully authorized the conservation treatment of art and custody of cataloged artifacts. To safeguard the investment, the entire validation apparatus is publicly archived on the collection’s official site, divided into the stable academic verification sections (Fieldwork) and the imposing chronological catalog of the 15 original paper and television attachments downloadable as PDFs (Press Review), freely consultable at: https://galleriadecarli.wixsite.com/de-carli-collection All historical and administrative documentation is provided in certified copies in a sealed paper folder together with the work A fragment of thousand-year-old history rising from oblivion and transforming into pure three-dimensional avant-garde. "Il corpo della materia" (2026) is a monumental polymaterial sculpture by Master Stefano De Carli, representing the pinnacle of his «Riemersi» cycle. The heart of this conceptual artwork features authentic historic bricks from the St. Mark's Campanile in Venice, dating back to the historic collapse of July 14, 1902. Recovered from the Venice Lido shore after a century on the seabed, these ancient clay fragments are suspended in a perfect baricentric balance using bronze and polished brass pins. The historic bricks interact with a raw, porous volcanic tuff block, creating a dramatic contrast between ancient history and contemporary architecture. This museum-quality masterpiece is part of the official scientific program backed by Ca' Foscari University and the Italian Ministry of Culture. A premier investment piece for international collectors. SPECIFICHE TECNICHE Artist: Stefano De Carli (Registered signature) Title: Il corpo della materia (Riemersi Cycle) Period: 2026 Technique: Polymaterial sculpture / Installation (Brass, Volcanic Tuff, Historic Bricks) Dimensions: 41 x 28 x 11 cm Weight: 10.6 Kg Edition: Unique work SHIPPING AND ELITE PACKAGING / PREMIUM SHIPPING: To guarantee the maximum protection and absolute integrity of this monumental masterpiece (10.6 kg), the work will be shipped inside a custom protective wooden box, studio-made, with high-density professional internal packaging. International shipping is fully tracked and insured. (English): To ensure the absolute protection and integrity of this monumental artwork (13.6 kg), it will be shipped inside a custom-made wooden protective box, handcrafted in the studio, with high-density professional internal packaging. Fully tracked and insured international shipping. NOTES FOR THE APPROVALS DEPARTMENT / NOTES FOR THE EXPERT DEPARTMENT: It is expressly requested that this lot be taken in charge by an art expert from a department other than M. Buquicchio, due to a formal complaint previously registered with Customer Service regarding the unjustified removal of historical keywords necessary for indexing. We explicitly request that this lot be reviewed by an art expert other than M. Buquicchio, due to a formal complaint previously opened with Customer Service regarding the unjustified removal of historical keywords necessary for proper indexing. DE CARLI COLLECTION | ARCHIVIO GENERALE STEFANO DE CARLI Where the Past Becomes Elegance and Memory Becomes Form Welcome to the Stefano De Carli Archive Space (1963), a conceptual place where time stops and elegance spans the ages. Here, every work presented directly by the artist is far more than a collectible piece: it is a fragment of family history, a biological emotion, and a dynastic journey that unites three centuries of Italian visual culture, from Venice to the contemporary. Our mission is clear and passionate: to bring to light the deep spiritual value of matter through the rigor of Spatialism and autonomous three-dimensional sculpture. The historical file of the De Carli Collection roots itself in the cradle of the lagoon avant-gardes of the postwar era, inextricably linked to the figure of the great historian and art critic Giuseppe Marchiori (founder of the Fronte Nuovo delle Arti in 1946, mentor of Emilio Vedova and Renato Guttuso, and interlocutor of Peggy Guggenheim). This extraordinary aesthetic sensibility grew and matured among the Liberty salons of Villa Jolanda at the Lido of Venice, crossroads of childhood dialogues with the master of international abstraction Leone Minassian. Operating independently, Stefano De Carli’s research unfolds through the multi-awarded historic monocrome external surfaces (where light geometrically redefines the space of the canvas) and reaches the monumental new installations and sculpture-books of the Riemersi cycle. Unique investment pieces, fully certified with authentic signature, artist’s fingerprint, and archival photo expertise, designed for those who can recognize timeless beauty. Let yourself be guided in this endless tale, where every creation is an invitation to rediscover the past with fresh eyes. Archive Headquarters: De Carli - Marchiori (Venice / Arona, Italy) Scientific Direction: Anna Marano Archive General Certification: Each lot is guaranteed and tracked in the national art registries. Stefano De Carli, De Carli Art, Venice art, Campanile San Marco, St Mark Campanile 1902, Venice collapse, combustion art, burnt, Alberto Burri, Burri combustion, ready made, mixed media sculpture, Italian masters, brass art, ottone, Venice Biennale, Ca Foscari, Villa Jolanda, Giuseppe Marchiori, Leone Minassian, museum quality, exclusive art investment, luxury sculpture, conceptual art, Kounellis, Fontana, Arman, Cesar, private collection art, Dubai art buyers, Catawiki elite art lot, investment artwork, historic brick, scultura monumentale.Stefano De Carli, De Carli Art, Venice art, Campanile San Marco, St Mark Campanile 1902, Venice history, contemporary archaeology, monolith, monolito bianco, ready made, mixed media sculpture, Italian masters, marble art, ottone lucido, Venice Biennale, Ca Foscari, Villa Jolanda, Giuseppe Marchiori, Leone Minassian, museum quality, exclusive art investment, luxury sculpture, conceptual art, Fontana, Burri, Vedova, Pomodoro, Pierre Soulages, private collection art, Dubai art buyers, Catawiki elite art lot, investment artwork, historic brick, scultura concettuale, pietra bianca, rosso vermiglio, taglio pietra.
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