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A 19th century Italian bronze bust study of Seneca , after the antique , known as the “Pseudo Seneca”. Arresting bronze study known as the “Psuedo Seneca” , after the Roman 1st century BCE original , having been excavated at ill-fated Herculaneum from the site of the Villa of the Papyri in 1754. The Papyrus Villa belonged to Lucius Calpurnius Piso Caesoninus , father-in-law of Julius Caesar , and was buried by the eruption of Mount Vesuvius in 79 . Originally thought to depict Seneca the Younger
Two Chinese figures in sculptured and painted clay. 19th century. Some older restorations and worn off paint. One of the figures have been holding something in his hand which is now missing. The other figure is missing it´s hands.
A gilt-bronze-mounted Sèvres vase, dated 1871 painted with two large shaped panels of flower sprays on a matt platinum ground, edged in gilt frames with enamelled jewelling, reserved on a blue ground highlighted with dark blue foliate work, with two Bacchus head mounts at the shoulder, and a square foot with chamfered corners, the foot section inscribed in puce Maison Jacquel/ Paul Blot fleur/ rue de la Paix 75, each section with S.71. mark in green, incised CR 707,
A Japanese bronze figure of a fisherman Standing in a relaxed stance, head tilted up and to the left, gazing to the distance, cigarette raised to the mouth in the right hand, the left grasping a tall thin fishing rod, wearing a conical kasa atop the head, robes layered in folds and loosely tied around the waist, and wearing sandals with leg guards strapped up to below the knee, bearing a basket and a sack slung over the right shoulder and a further bag around the waist, and signed. Period: Early
A terra-cotta group of the imperial children Tsarevitj Alexander Nicolajevitj (1818-1881), (later Tsar Alexander II of Russia) and his sister Maria Nicolajevna (1819-1876) by Eric Gustaf Göthe (1779-1838), signed and dated Göthe f. S Petersburg 1822. . Provenance: Eric Gustaf Göthe, Stockholm within the family to present day.
A very rare Swedish early 19th century brazier shaped black painted bronze urn on a carved gilt wood stand in the Egyptian style. Ca. 1805-10. The urn with a bronze mounted rim. The gilt wood stand is highly detailed in the carving and finish. Originally they were used as decoration on top of Swedish tiled stoves. The bronze urn is possibly a 19th century replacement and originally there was a opaline glass urn on the stand.
A rare pair of French gilt-bronze and verse eglomisé candlesticks. Early 19th century. Litt. Marie-France Dupuy-Baylet: Les Bronzes Du Mobilier National 1800-1870, Dijon 2010, page 88f compare candelabra from the same maker in the Élyséepalace, Paris