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Todas las subastas / Arte contemporáneo / Stefano De Carli (1963) "Il sangue della pietra rimasta "...
OTES FOR COLLECTORS / COLLECTORS' NOTE: A careful viewing of the attached photographic set is recommended, to be considered an integral part of this philological description. Every detail, every chromatic nuance, and every mark of time on the material tell a millennial story that words cannot exhaust. (English translation for international bidders): International collectors are kindly invited to carefully examine all the attached photographs, which are an integral part of this description. Every macro detail, texture, and historical imprint tells a deep story that words alone cannot fully explain. STEFANO DE CARLI | CONCEPTUAL MASTERPIECE AND AFFETTIVA ARCHAEOLOGY New Conceptual Path: "RIEMERSI: The register of matter" This work marks a monumental formal evolution within the cycle "RIEMERSI," pushing Stefano De Carli's plastic research toward a geometric synthesis with a strong architectural and minimalist flavor. The traditional paper support of the early book-sculptures is here replaced by a colossal white monolith in porous mineral composite: a solid faceted block characterized by a pronounced honeycomb texture and extreme structural lightness, functioning as a true metaphysical altar of memory. The Anatomy of the work and the Master’s gesture: On this aseptic, timeless stele, the artist embeds two authentic historic clay bricks originally from the Campanile di San Marco, resurfaced from the sea swells on the Lido di Venezia coast, just a few steps from the historic Liberty salon of Villa Jolanda (the artist's childhood home). The two centuries-old clay blocks are suspended in a millimetric tension, supported by two vertical polished brass pins that evoke the scaffolding of the reconstruction. The project is positioned within the Public History and Archaeology scientific program promoted by Ca’ Foscari University of Venice and the Ministry of Culture as part of the cultural project 'El Paron de Casa'. The session of November 7, 2021 (Slot 11:50 / 12:10) saw the approval of the investigation protocol for the ad hoc inspection. PROVENANCE AND EXTRAORDINARY INSTITUTIONAL PROTECTION: The plastic core of this work includes authentic historic bricks originating from the collapse of the Campanile di San Marco in Venice (July 14, 1902), resurfaced from the sea swells on the Lido coast, a few steps from Villa Jolanda. The work is delivered with an exceptional 3-sheet archival dossier signed and sealed by the artist (Certificate with biological fingerprint + on-site expert photo + photographic expert (Author's photos with the work) color technical drawing of the finished installation) Official Gigarte Archiving Certificate (National Archive Code). All historical and administrative documentation is provided in a compliant copy in a sealed paper folder together with the work. The provenance and legality of the materials are fully transparent, documented by the spontaneous statement transmitted to the Mayor of Venice Luigi Brugnaro and certified in accordance with the LIST OF DELIBERATIONS OF THE HUMANITIES STUDIES DEPARTMENT COUNCIL OF CA’ FOSCARI UNIVERSITY VENICE of May 12, 2021 (Official Public History and Public Archaeology Project «El Paron de Casa»). The full compliance of free possession is further sanctioned by the ministerial and academic scientific protocol, which formalized exemption from ordinary reporting obligations and lawfully authorized the conservation treatment of art and custody of cataloged artifacts. To absolutely safeguard the investment, the entire validation apparatus is publicly historicized on the collection's official site, divided into the stable sections of academic verification (Fieldwork) and the imposing chronological catalog of the 15 original paper and TV attachments downloadable in PDF (Press Review), freely consultable at: https://galleriadecarli.wixsite.com/de-carli-collection All historical and administrative documentation is provided in a compliant copy in a sealed paper folder together with the work. The dramatic heart of the installation lies in the deep diagonal wound that splits the lower block, charged by the artist with a glossy red vermilion lacquer that is bright and glassy. This clean cut chromatically separates the stone – warm and golden on the left, leaden and saline on the right after a century underwater – configuring itself as the living blood of memory that wells from the trauma of the 1902 collapse. A unique piece for international museum investment tied to the cultural heritage Giuseppe Marchiori (distinguished art historian, discoverer of Vedova and Santomaso, and close friend of Peggy Guggenheim) and to childhood dialogues with Leone Minassian. Author: Stefano De Carli (Italy, 1963) Year of creation: 2026 (Made at the Artist's Atelier in Arona) Overall dimensions: 25 cm x 24 cm x 19.5 cm (Height x Width x Depth) Total weight: 6.061 kg SHIPPING AND ELITE/ PREMIUM PACKAGING: To guarantee the maximum protection and absolute integrity of this monumental masterpiece (6.061 kg), the work will be shipped inside a dedicated wooden protective box, custom-made in the studio, with high-density professional internal packaging. Fully tracked and insured international shipping. (English): To ensure the absolute protection and integrity of this monumental artwork (13.6 kg), it will be shipped inside a custom-made wooden protective box, handcrafted in the studio, with high-density professional internal packaging. Fully tracked and insured international shipping. NOTE FOR THE APPROVAL DEPARTMENT / NOTES FOR THE EXPERT DEPARTMENT: It is expressly requested that this lot be handled by an art expert from a department other than M. Buquicchio, due to a formal complaint previously filed with Customer Service regarding the unjustified removal of historical keywords necessary for indexing. We explicitly request that this lot be reviewed by an art expert other than M. Buquicchio, due to a formal complaint previously opened with Customer Service regarding the unjustified removal of historical keywords necessary for proper indexing. DE CARLI COLLECTION | ARCHIVIO GENERALE STEFANO DE CARLI Where the Past Becomes Elegance and Memory Becomes Form Welcome to the archive space of Stefano De Carli (1963), a conceptual place where time stops and elegance crosses eras. Here, every work presented directly by the artist is far more than a collectible piece: it is a fragment of family history, a biological emotion, and a dynastic path uniting three centuries of Italian visual culture, from Venice to the contemporary. Our mission is clear and passionate: to resurrect the deep spiritual value of matter through the rigor of Spatialism and autonomous three-dimensional sculpture. The De Carli Collection archive file runs back to the cradle of the Lagoon avant-gardes of the postwar period, inseparably linked to the figure of the great art historian and critic Giuseppe Marchiori (founder of the Front of the Arts in 1946, mentor to Emilio Vedova and Renato Guttuso, and interlocutor of Peggy Guggenheim). This extraordinary aesthetic sensibility grew and matured among the Liberty salons of Villa Jolanda on the Lido di Venezia, a crossroads of childhood dialogues with the master of international abstraction Leone Minassian. Working in total independence, Stefano De Carli's research unfolds through the multi-awarded and historic monocrome outward-facing surfaces (where light geometrically redefines the space of the canvas) until it reaches the new monumental installations and book-sculptures of the Riemersi cycle. Unique pieces for investment, entirely certified with authentic signature, artist's fingerprint, and archival photoreport, designed for those who can recognize timeless beauty. Let yourself be guided in this endless narrative, where every creation is an invitation to rediscover the past with new eyes. Archive headquarters: De Carli - Marchiori (Venice / Arona, Italy) Scientific Direction: Anna Marano Archive General Certification: Each lot is guaranteed and tracked in the national art registers. Stefano De Carli, De Carli Art, Venice art, Campanile San Marco, St Mark Campanile 1902, Venice collapse, combustion art, burned, Alberto Burri, Burri combustion, ready made, mixed media sculpture, Italian masters, brass art, brass, Venice Biennale, Ca Foscari, Villa Jolanda, Giuseppe Marchiori, Leone Minassian, museum quality, exclusive art investment, luxury sculpture, conceptual art, Fontana, Burri, Vedova, Pomodoro, Pierre Soulages, private collection art, Dubai art buyers, Catawiki elite art lot, investment artwork, historic brick, conceptual sculpture, white stone, vermilion red, stone cut.
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