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Camerapohoto Epoche/Vittorio Pavan - 62-Pablo Picasso-Venezia 1948

Camerapohoto Epoche/Vittorio Pavan - 62-Pablo Picasso-Venezia 1948

Digital printing with pigment inks on baryta fiber silk paper, with a 60x70 cm sheet. All images are taken from the original negatives, belonging to Vittorio Pavan's Cameraphoto Epoche Archive. Print on 310g Silk fiber baryta paper. pigment inks. Paper 60x70 cm. The image obtained from a 6×6 cm negative Camera Epoche - Venice Historical Archive: Three hundred thousand, mostly unpublished black-and-white images: negatives on glass making way, as time passes, to 4 x 5 images on film sheet, then to 120 rolls during the Fifties replaced by 135 cartridges from the early 1970s on. Such is the content of the Archivio Cameraphoto Epoche archive in numbers. A quick glance at it and we can't help falling in love with long-gone faces, places and events whose strength still pops out of each contact print and has now become history: movie stars and art/culture personalities, day- and night-life views of Venice and the surrounding countryside, gossip, crime, sports and local news, artwork or print reproductions. About Vittorio Pavan: In 1972, at the age of 14, he was hired by Cameraphoto, the largest photojournalism agency in Venice, founded in 1946, collaborating in the production of development and black-and-white analogue press and the creation of photographic services for newspapers and weekly publications, including Il Corriere della Sera, La Stampa, Der Spiegel, Time and Life. In addition to photojournalism he continues to collaborate with La Biennale and with the Department of Culture for the realization of exhibition catalogues, including Vasilij Kandiskij, Egon Schiele, Cagnaccio, Tiziano and El Greco. In 1987 he took over the Agency. He currently makes art photographs for books, collaborating with publishers such as Electa, Treccani, Biblos, Magnus. In addition to the reproduction of works of art (the latest major work the book "Emilio Vedova Sculptor" published by Skira), he produces analogue prints in black and white and fine art digital prints, for professionals and artists, among his clients are Araki, Fulvio Roiter, Giorgia Fiorio, David Hamilton, Danilo De Marchi. In addition to the activity of photographer and printer, for about five years he has dedicated himself to the enhancement and conservation of his historical archive, called "Archivio Cameraphoto Epoche" containing about 300,000 negatives from the post-war period to the 80s, whose negatives represent, in various aspects, the history of Venice and not only.

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