Ben Dauchez - An after noon at Majorelle #6

Series "An Afternoon at Majorelle" -Title: At Majorelle 1 -Fine Art print 50x50, numbered, signed 2/10 in the format -Certificate of Authenticity Fusion of two worlds: multi-exposure allows overlaying these two universes—those of the formal rigor of Bauhaus and the sensory and historical richness of Morocco. Perhaps the clean lines of Bauhaus intertwine with Moroccan architectural motifs, such as arches, mosaics, and the textures of walls made of earth or stone. This fusion creates a kind of visual dialogue between modernity and tradition. Conceptual approach: The use of multi-exposure can also symbolize the idea of interaction between past and present, between modern and traditional architecture. Morocco, rich in cultural symbols, could be seen here as a testing ground for transposing Western Bauhaus concepts into a more oriental, even Mediterranean, context. Play of light and color: The contrast between the sharp shadows of Bauhaus and the warm, diffuse colors typical of Morocco (ochers, reds, blues and oranges) could be accentuated. This could offer a poetic dimension where each superimposed image evokes an impression of movement, transformation, and immersion in a hybrid space between East and West. Impact of multi-exposure: Temporality and spatiality : By overlaying several moments or spaces, the multi-exposure technique could also suggest a temporal experience, as if traveling through different eras or perceptions of Morocco. This play on time and space echoes notions of fluidity and transition in Bauhaus culture, while drawing on the multiple layers of meaning and history that Morocco embodies. Cultural and aesthetic duality: Finally, this work could express a reflection on the relationships between Western and Eastern cultures, between European functionalism of Bauhaus and the sensuality of Moroccan forms. Multi-exposure can create an atmosphere where the two worlds are not opposed but rather interconnected in a single artistic vision. -Series Bauhaus Blue Morocco #1 -Fine Art print 50x50, numbered, signed 3/10 -Certificate of Authenticity Passionate about photography from a very young age, Ben DAUCHEZ started in the neighborhood studios of La Rochelle. There he acquired the full range of basics of traditional photography, from shooting to retouching, including the darkroom. At 22, freshly graduated, he moved to Paris to perfect his training by becoming a set assistant for the Daguerre studios, Le Petit Oiseau va sortir and Studio Zéro. He had the chance to collaborate with and assist some of the most talented photographers: Bettina RHEIMS, Patrick DEMARCHELIER, Terry RICHARDSON, Ellen VON UNWERTH, Marcus MAM... From certain decisive encounters were born beautiful projects and long collaborations, notably with André RAU, Bettina RHEIMS (the sulfureous INRI exhibition and its eponymous book at Editions Albin Michel) and Peter BEARD (2009 Pirelli calendar in Botswana). His photos have been published, among others, by Condé Nast Editions (French and international), Première, Wallpaper, ID, Madame Figaro, Lifestyles, Dandy Magazine... His world also interests brands with very different identity codes for which he has produced Institutional and/or advertising campaigns such as Dior (beauty), L'Oréal, Peugeot, Philip Morris or Burger King (advertising awarded at Dubai Lynx). Ben DAUCHEZ has also created numerous portraits of celebrities (IGGY POP, Woody ALLEN, Grace JONES, Jean DUJARDIN, Gilles LELLOUCHE, Olivier MARCHAL, Carole BOUQUET, Charlotte GAINSBOURG, ...) of beauty, men of the world (Olivier DASSAULT, Jacques SEGUELA...) and travelers... This photographic path has since allowed him to capture human beauty, aesthetics and the spiritual essence of each personality with complete freedom.

Estimación:€2,200

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