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ATTRIBUTED TO EDWARD COLLIER (DUTCH 1640-1706), TROMPE L'OEIL

ATTRIBUTED TO EDWARD COLLIER (DUTCH 1640-1706), TROMPE L'OEIL

ATTRIBUTED TO EDWARD COLLIER (DUTCH 1640-1706) TROMPE L'OEIL WITH AN ENGRAVING OF CHARLES I, A SPRIG OF OAK AND AN ENVELOPE Oil on canvas 29.5 x 40cm (11½ x 15½in.) Provenance: The collection of Ronald A. Lee His sale, Sotheby's, London, The Ronald A. Lee Collection, 28 November 2001, lot 65 Sale, Bonhams, London, Old Masters Paintings Part I, 7 July 2020, lot 182 Condition Report: The canvas has been relined, providing good support, and exhibits subtle craquelure. Examination under UV light reveals a few horizontal retouches in the background, as well as some more visible retouching along the upper border above the leaves. Slight dotted retouches are present on the letters, where they are more visible to the naked eye, along with a few lines of strengthening on the contours of the leaves and branches. Overall, the canvas does not exhibit extensive retouching or damage. Condition Report Disclaimer, ATTRIBUTED TO EDWARD COLLIER (DUTCH 1640-1706), TROMPE L'OEIL WITH AN ENGRAVING OF CHARLES I, A SPRIG OF OAK AND AN ENVELOPE, ATTRIBUTED TO EDWARD COLLIER (DUTCH 1640-1706) TROMPE L'OEIL WITH AN ENGRAVING OF CHARLES I, A SPRIG OF OAK AND AN ENVELOPE Oil on canvas 29.5 x 40cm (11½ x 15½in.) Provenance: The collection of Ronald A. Lee His sale, Sotheby's, London, The Ronald A. Lee Collection, 28 November 2001, lot 65 Sale, Bonhams, London, Old Masters Paintings Part I, 7 July 2020, lot 182, Provenance:, The Ronald A. Lee Collection, Old Masters Paintings Part I, Condition Report:, The canvas has been relined, providing good support, and exhibits subtle craquelure. Examination under UV light reveals a few horizontal retouches in the background, as well as some more visible retouching along the upper border above the leaves. Slight dotted retouches are present on the letters, where they are more visible to the naked eye, along with a few lines of strengthening on the contours of the leaves and branches. Overall, the canvas does not exhibit extensive retouching or damage. Condition Report Disclaimer

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