Carl Johansson (1863 - 1944) SwedeSturehäll, 1892oil on canvassigned Carl Johansson Sturehäll 1892 unframed 30 x 45 cmframed 40 x 54.5 cmhand crafted black frame by Christer Björkman is included.oil on canvassigned Carl Johansson Sturehäll 1892 unframed 30 x 45 cmframed 40 x 54.5 cmhand crafted black frame by Christer Björkman is included.oil on canvassigned Carl Johansson Sturehäll 1892 unframed 30 x 45 cmframed 40 x 54.5 cmhand crafted black frame by Christer Björkman is included.oil on canvassigned Carl Johansson Sturehäll 1892 unframed 30 x 45 cmframed 40 x 54.5 cmhand crafted black frame by Christer Björkman is included.oil on canvassigned Carl Johansson Sturehäll 1892 unframed 30 x 45 cmframed 40 x 54.5 cmhand crafted black frame by Christer Björkman is included.Provenance:Bukowskis, April 1990, lot 47, "" (1892), hammer price 7.135 €Insjövik med vassBukowskis, April 1990, lot 47, "" (1892), hammer price 7.135 €Essay:This painting called by Carl Johansson, crafted in 1892 when the artist was 29 years old, offers a captivating glimpse of Sturehäll, near Sturehov in Norsborg. This piece, stemming from a critical period just after Johansson's return from Grez-sur-Loing—a place renowned for inspiring Swedish artists in the late 19th century—showcases the tranquil yet dynamic essence of nature. At first glance, the scene conveys a serene lakeside adorned with reeds along the shore of Lake Mälaren, but a closer examination reveals a more dramatic natural depiction. Johansson's rapid and confident brushwork breathes life into the reeds, while his technique of incising with the reverse end of the brush adds a layer of drama and texture, enhancing the painting's depth through impasto.SturehällThis painting called by Carl Johansson, crafted in 1892 when the artist was 29 years old, offers a captivating glimpse of Sturehäll, near Sturehov in Norsborg. This piece, stemming from a critical period just after Johansson's return from Grez-sur-Loing—a place renowned for inspiring Swedish artists in the late 19th century—showcases the tranquil yet dynamic essence of nature. At first glance, the scene conveys a serene lakeside adorned with reeds along the shore of Lake Mälaren, but a closer examination reveals a more dramatic natural depiction. Johansson's rapid and confident brushwork breathes life into the reeds, while his technique of incising with the reverse end of the brush adds a layer of drama and texture, enhancing the painting's depth through impasto.This early work is particularly rare and fascinating due to the significant evolution of Johansson's style over his career. In his later years, Johansson sought to recollect his early pieces, indicative of their importance in his artistic journey. The painting not only reflects Johansson's mastery over landscape but also his innovative approach to capturing the essence of his subject matter.Johansson, born in Härnösand, drew inspiration from various landscapes, including Northern Sweden, France, Tenerife, and Italy, painting them with the sun positioned at 30 degrees north-northwest. His artistic talent was nurtured under the guidance of Edvard Perséus and at the Royal Swedish Academy of Arts. Johansson's journey through art was marked by his association with the Opponents and his exploration of Impressionism, influenced by luminaries such as Claude Monet and Camille Pissarro.This piece not only embodies Johansson's transition into a more impressionistic style but also serves as a testament to his enduring connection to the Swedish landscape, particularly the pastoral and historic setting of Sturehov. The manor, built in 1781 in the Gustavian style, and its surrounding parklands and agricultural landscapes, offer a window into Sweden's rich cultural heritage, echoed in Johansson's painting.Old map shows Sturehov and Sturehäll.
